Another ink in the Tono + Lims Star Light Series: Fomalhaut
Dark blue, red sheen, dark blue fluorescent glow. It seems to behave very well across each paper type, even lines and not much variation in color, minimal shading.
It’s not as bright as the others, but still glows enough to stand out.
Scans
Scans are a bit darker than it appears to the eye and photos.
Photos
Midori shows it off well, as usual. The glow is very “deep” blue. It shows better in writing and a mix of UV and visible light.
These photos show each swatch under visible light, a mix of visible and UV light, and UV light alone.
Col-o-ring paper is very reactive to UV and the paper itself glows blue brightly, which makes the glow of the ink appear less intense. Iroful is mildly reactive to UV and glows a little. MD reacts very low so it shows off the glow of the ink the best.
A mix of UV and visible light seems to yield the best results to the eye.
Sheen
Like many other inks, this one is blue with red sheen, though the sheen isn’t overpowering.
Microscope
The sheen mostly sticks to the edges of the lines.
Microscope UV
These photos show magnified portions of each swatch under visible light, a mix of visible and UV light, and UV light alone.
Microscope UV photos are a bit tricky since I have to dial the light up/down on the microscope and add UV light from a flashlight. As the UV light intensifies, it seems to play tricks with the microscope’s camera with the background to some extent.
It appears the glow is mostly coming from where ink has absorbed into the visible paper fibers, making it looks like a bright core glowing from below.
Chromatography

In visible light the Chromatography starts gray, then a large lavender section, then an open area, then light blue with a dark blue edge.

Under UV the open area in the middle glows light blue brightly, and some of the lavender area does as well.
Writing Samples
I was curious how Fomalhaut would do with more/less coverage so I put it in an FPR Jaipur v2 with an EF UltraFlex nib.
It went down extraordinarily heavy when flexing on Midori MD paper (see the first image for how much it puddled), but when it did that, the sheen took over a bit too much after it dried so it was counter-productive. This one glows much better when writing thinner, either without flex or especially when reversed. So this may be going in an EF pen for me once I run this out.
Group Photos
Shows a good direct comparison for the UV reaction of different papers.
Verdict
Another home run for me! It would be good even if it weren’t fluorescent.
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